Comparing «The Bell Jar» by Sylvia Plath and «Catcher inside the Rye» simply by J. M. Salinger Article

snigger mcgee refreshments weet famepfrbkpmaefobaekfmngleOJValewfgjnwoKNwldknlkgnwldkjfnwljk- fnwuHNJWPOJNwoifjpwiofjoiwefjnoierjgnoiaerjgoiaerjgoiaerjgoi- aerjgiaerjgoiaerjngoierjngoiaerjgnoiaerngoiaerngoiaengolaier- ngoiawerngioaerngoiaerngopiaerngoiaengoiaengoiaerngoiaernfoa- wngpoiawrgjpoiaerngaopergnpoaegjnopaiergj[0aergnpaoerf[lgkakjfiogkikrofkneifuop; lczhtop; 'ef; 90ow`WEBVIOKs.; vhaowec ASoc/ Both Plath's The Bell Jar and Salinger's Catcher inside the Rye tell a coming-of-age story with two protagonists posed as ‘outsiders'. Holden in CITR follows a more conventional coming-of-age story, dealing with feelings of isolation, isolation, relationships as well as the transition in adult lifestyle whereas we see Esther of TBJ diverging from the typical trajectory of adolescent creation into adult life. Instead the lady undergoes a progressive education, cumulating in entering adult life and thus regressing into craziness. Both writers' presentation of the narrators as ‘outsiders' is arguably intrinsic to our understanding of the storyline as they allow us to understand the life they will lead, and to deal with the said concerns of hysteria, loneliness and depression. This kind of presentation also allows us to obtain reader perspective of the ‘outsider' position within just society as well as the issues they will endure. The presentation of Esther and Holden while outsiders is incredibly central in the telling with the story and ultimately the understanding. As Holden Caulfield is famous for teenage rebellion hence posing since an incomer, he is essential in dealing with the themes of teenage stress and indifference within the book. Such concerns being provided become more comprehendible and thus bolster the complex issues of identity and belonging. In the same way Plath's ‘the Bell Jar' depicts the protagonist's good into mental illness paralleling with Plath's own encounters. This in turn gives the story a personal take rendering it almost semi-autobiographical. Plath's display of Esther may not actually be considered since making...



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